1844-1900 Hungarian Mihaly Munkacsy Locations Munkacsy started to paint during the years he spent in Arad as a joiner. With the help of partons be studied at the Viennese, Munich and Dusseldorf academies. Munkacsy painted his first major work, the outstanding "The Condemned Cell" in D??sseldorf, in 1872, together with his friend Laszlo Paal, he moved to Paris, where be lived until the end of his life. Munkacsy painted his genres in the style of realism between 1873 and 1875: "Midnight Ramblers", "Farewell". "Churning Woman", "Woman Carryng Brushwood", and "Pawnshop" were the zenith of his career. He married the widow of Baron de Marches in 1874, and his style changed from that time on. Departing from the typical subjects of realism, be produced colourful salon paintings and still-lifes. This was the period when be also turned to ladscape painting; his growing interest is marked by such great paintings as "Dusty Road". "Corn Field", and "Walking in the Woods". The assimilation of Laszlo Paal's style is apparent in the landscapes painted during the 1880s, such as "Avenue" and "The Colpach Park". His realist portraits - e.g. of Franz Liszt and Cardinal Haynald - were also born around this time, together with his religions paintings, such as "Christ in front of Pilate", "Golgotha" and later, "Ecce homo". Towards the end of his career he painted two monumental works: "Hungarian Conquest" for the House of Parliament and a fresco entitled "Apotheosis of Renaissance, for the ceiling Kunsthistoriches. Museum in Vienna.  Related Paintings of Mihaly Munkacsy :. | Mother and Child ddf | The Last Day of a Condemned Man I | Christ in front of Pilate jezus przed pilatem | Baby's Visitors | Lifeboat |
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Ilja Jefimowitsch Repin
1844-1930
Eugene Grasset
Swiss-born French Art Nouveau Designer, 1845-1917 Born Eugene Samuel Grasset in Lausanne, Switzerland, his birth year is sometimes stated as 1841. He was raised in an artistic environment as the son of a cabinet designer maker and sculptor. He studied drawing under Francois-Louis David Bocion (1828-1890) and in 1861 went to Zurich to study architecture. After completing his education, he visited Egypt, an experience that would later be reflected in a number of his poster designs. He became an admirer of Japanese art which too influenced some of his creative designs. Between 1869 and 1870, Grasset worked as a painter and sculptor in Lausanne but moved to Paris in 1871 where he designed furniture fabrics and tapestries as well as ceramics and jewelry. His fine art decorative pieces were crafted from ivory, gold and other precious materials in unique combinations and his creations are considered a cornerstone of Art Nouveau motifs and patterns. Grasset poster for Mark Twain Joan of ArcIn 1877 Eugene Grasset turned to graphic design, producing income-generating products such as postcards and eventually postage stamps for both France and Switzerland. However, it was poster art that quickly became his forte. Some of his works became part of the Maitres de l Affiche including his lithograph, Jeanne d Arc Sarah Bernhardt. In 1890, he designed the Semeuse logo used by the dictionary publishers, Editions Larousse. With the growing popularity of French posters in the United States, Grasset was soon contacted by several American companies. In the 1880s, he did his first American commission and more success led to his cover design for the 1892 Christmas issue of Harper Magazine. In 1894 Grasset created The Wooly Horse and The Sun of Austerlitz for The Century Magazine to help advertise their serialized story on the life of Napoleon Bonaparte. The Wooly Horse image proved so popular that Louis Comfort Tiffany recreated it in stained glass. Grasset work for U.S. institutions helped pave the way for Art Nouveau to dominate American art. At the end of the 19th century, Grasset was hired to teach design at Ecole Guerin and Ecole Estienne in Paris. Among his students were Maurice Pillard Verneuil, Augusto Giacometti, Paul Berthon and Otto Ernst Schmidt. At the Universal Exhibition of 1900 in Paris, the G. Peignot et Fils typefoundry, introduced the Grasset typeface, an Italic design Eugene Grasset created in 1898 for use on some of his posters.
Mora, Francis Luis
Uruguayan-born American Painter, 1874-1940